![]() (Okay, the ass cubes thing was of note.) As a result, the comedic beats of the show are delivered almost entirely through the cutting observations and witty back and forths of its imperfect, but lovable characters. Living in Los Angeles and raising their young daughter, the pair copes with a healthy combination of successes and hiccups, none of which are particularly noteworthy. Throughout I'm Sorry's first season, Andrea and her husband Mike, played by Tom Everett Scott, face relatively run-of-the-mill obstacles, situations, and people. Watching Andrea wait in line for a cup of coffee could give most 30 Rock hijinks a run for their money. What resulted was an unapologetic and fresh five hours of quality comedy, centered around-dare I say it-a bonafide role model. Taking center stage as a heightened version of herself, Savage steered her semi-autobiographical show's first season through the anecdotes of her real life, adding in other stories from her writers room along the way. Of course, I'd seen her in Step Brothers and on Veep, but I'm Sorry represented for me and many others the first opportunity to fully appreciate Savage's talents. Netflix's 'Hilda' is the cozy winter binge you've been looking forīefore I'm Sorry began airing on truTV in 2017, I knew very little about Savage and her impressive comedy career. With the premiere of I'm Sorry's Season 2 this past Wednesday, here is my best sales pitch on why Savage's remarkably delightful series should be your next laugh-out-loud binge. This blisteringly funny comedy series has given me not only one of my favorite TV shows ever, but also a sense of comfort and confidence in looking up to a woman who doesn't seem to be taking any of life's shenanigans all that seriously despite working in the high pressure world of comedy writing. Then came I'm Sorry and with it, its star and creator Andrea Savage. ![]() ![]() Eventually, when I got over myself (and consequently, my collection of rhinestoned Claire's headbands), I wrote off the idea of idolizing anyone with a primetime cable slot. For too many of my teenage years, I had found myself struggling to pull off that wavy CW hair and awkwardly speaking in pointed sound bites à la ABC's Revenge. Sometime between the series finale of Gossip Girl and the birth of Kate Middleton's second baby, I gave up emulating the women I saw on TV.
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